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附着
2017-01-15 来源:中国美术家展览网 作者:吾明
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展览海报

展览名称:附着

展览城市:北京

展览时间:2014/03/08~2014/04/22

展览地点:798艺术区南门 富思画廊-(富思画廊)

主办单位:富思画廊

参展人员:李敦淳、韩镐、陶娜、颜开、谭天

参展作品:

 

展览作品

 

展览作品

 

展览作品

展览介绍:

20世纪法国哲学家亨利•柏格森说过 “自我,是通过其表面来与外界进行沟通”,即我们是通过某个事物所保存下来的表面痕迹来面对世界的。

艺术家们往往如约定俗成般,或者说是在无意识的反复当中,以他们最基本的绘画材料——颜料作为主要及唯一的创作媒介。但今天也有部分艺术家,他们更愿意在尝试中寻找一种更能够承载艺术家本人艺术思想的媒材呈现给观众。这种媒材表面看似一种“标新立异”,但实际上他们的这种“出轨”,并非试图将自己与大众区分开来,反而这种全新的呈现,更能够增加观赏主体与作品间的交流。

“伟大的灵魂,附着在所有物件及我们呼吸的空气当中”,这是印第安民歌中的一段歌词。他们相信所有物件(个体)本身的灵魂存在。此次参展艺术家 李敦淳、韩镐、陶娜、颜开、谭天,他们分别通过钉子、LED灯泡、磁铁片、茶叶、门把手等媒介来展开自己的想象。这些看似微小而普通的个体媒材,在艺术家的手里不再普通的附着在作品当中,在画幅中留下了时间、空间及思想的痕迹。

Title               Attached

20th century French philosopher Henri Bergson said "EGO, is to communicate with the outside world through its surface". That is something that we are saved by a surface trace to face the world.

Artists are often conventional-like or that which is unconcsiously repetitive-like. One of their most basic drawing materials is using paint as the primary and sole creative medium. However, today there are some artists, who are willing to find more capable means to bear their artistic ideas to present the media to viewers. These media are like “mavericks” but in fact, they are like “derailments” that are not trying to distinguish themselves from the public. Instead, this new way of presentation is better able to increase exchanges between viewing subject and work.

Great soul, and all objects attached to the air in which we breathe,” is a line from an Indian folk song lyrics. This line reflects that all objects (individuals) exist themselves in their souls. The artists, Lee Donsoon, Han Ho, Tao Na, Yan Kai, and Tan Tian have expanded their imaginations through media such as nails, LED bulbs, magnet pieces, tea, doornobs, and others. These seemingly small and ordinary, but individual media are no longer in the hands of the artists. Rather, they are attached to ordinary surfaces, leaving trails of time, space, and ideas in the frame.

责任编辑:吾明

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关键词: 富思画廊 李敦淳 谭天 附着 陶娜 韩镐 颜开